Mega Megane Moé
Hell and Heaven Moéltdown
Hell and Heaven Moéltdown
Dec 24th
“Seventeen years it had taken him to learn?what kind of meaning was hidden beneath the walls of text. O cruel, needless pretentiousness! O stubborn, self-willed exile from the world of logic and sensibility! Two gin-scented tears trickled down the sides of his nose. But it was all right, everything was all right, the struggle was finished. He had won the victory over himself. He loved ef.”
Why make sense when you could make awesome?
i Can try to explain why ef is probably disproportionally HIgh on the list of sHows that I consider completely and utterly soul-ROcking and world-shaking, but I‘ll probably Sound like a Maniacal, idiOtic pÉrson.
For really, the reason why ef makes me so, so happy inside – aside from the story – is the reason it will turn so many people off.
Somehow the one thing in anime that
entertains me more than I really believe that it should is
named
pretentiousness
and
i’m not ashamed at all
Ef features a lot of other
notable things that make it stand out as well that
effectively make it a well-
rounded package full of so much awesomeness that a
grain (or rather a truck full of) of eccentricity only makes
you (or at least me) love it more
Well, anyway, I stare down the barrel of the eleventh episode of the second season, with the impending closure of the story growing closer every day (and I’m just about in Aniblog Lockdown as a result), and I can think of nothing but praise for ef as a whole.
Granted, it’s praise with strings attached – I fully understand that ef is a hit or miss show. Sometimes it jumps into the deep end
jumps into the deep end
jumps into the deep, deep end
jumps into the deep, deep, deep end
jumps into the deep, deep, deep, deep end
jumps into the deep, deep, deep, deep, deep end
jumps into the deep, deep, deep, deep, deep, deep, deep, deep, deep, deep, deep, deep end of unintelligability, pretentiousness, insanity, of repetitiveness and overly long camera shots and really strange directive choices all those deep choices which have meaning but sometimes you see a wall of text in German and you just have to ask
WHY
and in the end it’s just a visual novel adaptation. No amount of good story can save it in the eyes of some. But why focus on the negative?
“The command of the old despotisms was Thou shalt not. The command of the totalitarians was Thou shalt. Our command is Thou art.”
ef is something I treasure for many the same reason as Higurashi. It hides within the cozy, familiar genre of visual novel adaptations (here, more of a romance story – stories, rather – than a harem show), a core that is far different than that of many of its brethren.
006 [the]
007 [pretentiousness]
003 [don't]
002 [I]
005 [just]
004 [mean]
008 [either.]
001 [And]

Rather, what impresses me a lot about ef is that it’s not just a story about some generic no-face guy coddling with and sucking up to (and then later, sucking off or whatever euphemism applies) a bunch of screwed-up girls … rather, everyone in ef is … well, screwed up, in their own way.
And while this may not be the style for everyone, I rather enjoy the sort of balance that this lends ef.
Like in Kodomo no Jikan, the question of belivability comes into play, and while ef stretches it a bit, especially if you come at it from a ‘plausability and realism’ standpoint.
But I think that the above point in addition to how ef plays itself across, makes it work very well as a ‘dramatic’ type of story, closer to the Higurashi or sola end of the scale than, say, KimiKiss or (maybe) true tears.
It’s a story where everyone has a story to tell, a work with a lot of incredible coincidences – the Shiori-esque may say ‘miracles’ – which all build together to make a brilliant emotional climax to it all. By removing the limiter of real life, probably even going past Owen’s concept of ‘hyperrealism’, ef can charge at full speed. It can will into existence, in the hearts of the viewers, characters like Chihiro and Yuuko.
For even if they do have astoundingly weird, almost supernatural, problems … in the end, a lot of what their troubles boil down to can be surprisingly down-to-earth. Maybe not the bluntness of a Five Centimeters Per Second, no, but as they say, the language of love is universal, even if it is obscured by strange memory defects and funny black-and-white camera shots.

(Part of a 12-day series fondly remembering some of the best moments in anime this year. Participants include: lolikitsune, lelangir, FuyuMaiden, Zeroblade, Nazarielle, ghostlightning, TheBigN, ETERNAL, Mike, A Day Without Me, digitalboy, Josh, otou-san, Culchann and Pontifus, IcyStorm, Cokematic,
koneko-chan, and miz, and you’re welcome to join too!)
Maybe you don’t know people who have experienced the exact same hardships as those in ef (whose hardships often read like a checklist of things to get screwed over by), but whose heart doesn’t ache when there is someone you want to help but can’t, someone you could have helped but couldn’t, something you could do but won’t …
Perhaps it’s a complement to Five Centimeters Per Second, hammering home that pang of regret. Equally so with that underlying message of being true to oneself, what with all the people hiding their true feelings / thoughts / faces / etc.
And despite all the stuff ef tries to heap on top of it, somehow, it ironically boils down to something that simple. The Power of Love, almost.
“Freedom is the freedom to say that two plus two make four. If that is granted, all else follows.”
Like you see with so many hardened people. They swear not to love again. They push people away because of their own pain. Take your pick of excuses: they don’t want to hurt others, or they don’t want to be hurt.
But inevitably that’s not really what they truly desire, is it?

Just like every slice-of-life show tells you, there is a little bit of love inside of everyone (world is wonderful in the eyes of wonderful people, etc), and that shell cracks. All it takes is the right person.
In the end – or at least, the feeling I get from the 11th episode of the second season – ef really is, somehow, that optomistic. It just arrives at that conclusion after a much, much more emotionally painful ride than the normal visual novel.
I really appreciate both sides of the coin. I like an anime that can make me feel strong emotion (I won’t say ‘cry’).
And ef can affect me. I don’t know if it’s the same for everyone else out there but even when I’m hating it (hi melodies episode 10) it’s still hitting a nerve somewhere. Maybe, it’s the power of the first season rolling over, combined with hype, to almost subconsciously will me to feel something, but damn. I think they could overlay ‘ebullient future’ on a montage of Hitler dying and I would get that feeling in my stomach.
Yet, somehow, ef can uplift you too. Somehow, I just don’t think it chooses too. I mean, take the 11th episode of melodies. It’s almost unreal in how upbeat the tone stays throughout the whole thing. Or what of the last episode of memories? It’s because there has been so much suffering that the happiness becomes that much sweeter.
Am I going to pick a moment from ef? Maybe. It really depends on what you’re looking for.
As said, for the happiness, there is Melodies 11 and Memories 12.
For the emotion, Memories 10-11, maybe Melodies in the middle half.
For the insanity, it’s around every corner.
I think by this point ef has transcended the boundaries of anything I can rationally talk about, evidenced by the fact that my ramblings on it are diverging off to positive infinity rather than converging on something sensible.
I don’t feel as instantly compelled to watch it immediately on download as do I with One Outs or Toradora, but this is probably just an effect of the emotional preparation I almost have to do to watch something like ef. It’s not something to be taken lightly.
Doesn’t everyone have a series like this, though? Reason can only carry you so far, at least when you enjoy being charged with emotion and passion as much as I do… which is probably why I love ef.
-CCY
(was tempted to pretentious it up more, but really lacked the time and the sanity, and somehow I feel you all will thank me for it)

12 Moments of Anime 2008
#02: ef ~the two tales~
Feb 14th
(Part of a Anime Blogging Collective Valentine’s Day post rush; refer to IKnight’s handy article collection for links to all the others.)

Who is she? I don’t know, but she has glasses and a valentine. Instant kill, no saving throw.
With the rise of the Internet, it’s easier than ever for people to destroy their personal privacy and post up their biggest, darkest secrets all over the Web, where nobody – except everybody – can see it.
As such budding paparazzi such as myself consider the blogging scene a veritable goldmine for digging up the dirty, the dorky, and the dunce-headed on the most popular or intriguing idols of today, and this isn’t any exception when it comes to the anime community.
No, I’m not talking about the anime blogging community, as many iconic characters as it has. Rather, there’s a lot you didn’t know your favorite anime character was up to on everyone’s favorite romantic holiday, and I’ve taken it upon myself as a freelance reporter to peruse the masses of entries every day for the most exciting, interesting, and controversial stories of what “everyday” life shapes up to be for the biggest names in harem, magical girl, and straight-up romance anime. I think you’ll be very surprised at what dirt I’ve got on them.
(Disclaimer: As you may have guessed, this is a fictional entry based on fictional characters, and a lot of the preceding was patent nonsense. I’m not part of the paparazzi nor a reporter, and if you see any blogs by anime characters I think you need to pinch yourself a bit harder. This is just a fun little idea for a Valentine’s Day post, based off this similar Christmas idea by Stripey, in imagining the (likely much more exciting) happenings of some popular anime heroes and heroines. Please enjoy.
Oh, and yes, I’m trying to inject a little analysis into this as well; these shows all have ties to romance in some way – although most of them, as predicted from someone like me, are harem – and I’ll be commenting on why this show might be something interesting to watch for someone in the mood for a little lovin’ on a day like today.)
(Yeah, I kinda minorly spoil KimiKiss, ef, and Clannad, in a roundabout way.) Read the rest of this entry »
Jan 29th

Do you have any memories you don’t want to forget?
ef rocked my soul. (Wait…)
As you may have surmised by the slightly-more-than-late review, it’s taken me a long time to collect my thoughts on this show, which has been acclaimed by the majority to be nothing short of stunning.
Originally when I first watched the show I had that feeling of “this could be something,” but was off-put by the dual storyline, the typically SHAFT (i.e. form over function) art style, and my overall sense of confusion with ef. I put it on the shelf after three episodes.
Later on, I awoke to the sounds of bloggers singing the praise of this show from the top of the highest hills, and decided to get back into watching the show. After seven episodes, I was, to put it one way, nonplussed. I had had it up to here with all the visual novel cliches and concepts, the romance was tacky (Chihiro) or annoying (Kei vs. Miyako) and they spent all of ten dollars animating one of the supposed ‘most powerful moments of 2007′.
Five episodes and one rewatch later, I think I’ve done about as great an about-face of opinion as Kanon did an about-face of animation from 2002 to 2006. Quite simply, ef is top tier.
If I wanted to wax poetic about things, I would say that on the scale of romance, I truly ‘loved’ this show.
Kanon is a show I would ‘worship’, that I would deny any flaws in.
Cardcaptor Sakura is a ‘first love’, blind admiration of something with a feeling that can never be matched.
School Days is a ‘handsome devil’, the kind of show that I know I hate and I know will kill me, but I can’t stay away from it anyway.
But ef really is the full package. It has the moments that charm you and it has the moments that repulse you. It’s handsome yet fashion-challenged, smart yet sappy, serious yet silly. It is a show that sweeps you off your feet, whether you like it or not. And you accept its flaws with its strengths, and really see it as real, instead of something idolized, which can never be touched.
Perhaps, with the extend I’m going on to rave about ef, it’s a bit of a lie that I’m not idolizing it. But the fact of the matter is, that, despite this nagging feeling in the back of my head that ef really should suck, that it really does mess up at times, I can’t help but be absolutely smitten with this show, the characters it has, the storyline it tells, and the messages it conveys. It’s very different from many of the moe-smitten visual novel adaptations out there, yet it still maintains a connection to its roots. Quite simply, it is a brilliant example of what this genre can do.
(Series spoilers ahead, so either be forewarned, or make plans to forget them within 13 hours…)
Jan 5th

By all means, I should be entirely smitted with ef, like most of the otakusphere (to steal a term) seems to be.
It’s got what seems to be it all: a unique animation style, characters ripped straight from a storyline I dreamed up, parallel plots that look to tie together smoothly, and personalities that are appealing without being overly moe. Not to mention, a green-haired meganekko.
I’ve spent a lot of my time with my hands plugged in my ears not just because I’m trying to get the earwax out, but to avoid the spoiler-tastic raving that everybody has been going on about for ef. It encouraged me to catch up with the show over the last few days of vacation as part of the “My God, it’s Winter 2007/8 season already!?” watching panic.
So I was quite surprised when ef turned out not to be the gripping, awe-inspiring wonder that it’s been made out to be, but merely a show that’s good. Funnily enough, popular recommendations as to shows in off-center genres such as magical girl (Shugo Chara!) and GARmbling (Kaiji) have worked wonders for me, and I can’t say enough superlatives about those, but for a visual novel show that’s pretty much straight up my alley, it’s not working out quite the same.
Read the rest of this entry »
Oct 25th
Oh no! It’s the dreaded but ever-popular “here’s what I think about all the new shows in a season that I’ve barely seen an hour of” post!
Perhaps it’s one that can be considered overdone in the anime blogging world, but it certainly serves a purpose. A blogger’s watchlist can say a lot about their tastes and passions, something that can be helpful when getting a concept behind the words. Not to say to form massive stereotypes on bloggers, but at least once you know the general viewing pattern of a person you can know where to turn when you need your fix of genre-specific fandom.
The seasonal review posts that pop up around the first few weeks of a show are also helpful to those of us who actually don’t have the time to watch every first episode individually (major props to those who can; it’s some serious effort just handling half) and need to gauge popular opinion to see what are some of the unknown shows that went previously under the radar.
As such, it’s a little late but it’s time for one more take on what shows suck, what shows don’t, and why you should listen to me instead of everyone else. Most shows have gotten three episodes in by now (look at the title. Ooh, alliteration, exciting, I know) and that seems a fair enough time to get a reading of the series, especially with the projected 12-episode length of many of this season’s shows.
I don’t plan on directly ranking the shows against each other but rather putting them on an overall barometer of just how much hype a show can build in me; whether it’s more likely that I’ll crash the servers looking for the latest release or whether it’ll pop up months later to remind me that it still exists.
If you’re looking for a take on all 30+ shows I would reccomend one of the excellent summaries from somewhere else, but if you want overly biased harem / romance comparisons (plus one or two oddballs; 8 in total)…welcome home, master.
Yeah, I can’t stand that line at all.
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