Mega Megane Moé
Hell and Heaven Moéltdown
Hell and Heaven Moéltdown
Feb 27th

You know an episode – or perhaps, a show – is good when your soul is so sufficiently rocked that you can’t come up with a sufficiently interesting one-liner for it, outside of a self-referential, fourth-wall-obliterating, H2O-referencing sentence that seems to drag on and on because no one had the heart to stand up and put an end to the piece of work that’s quickly becoming a paragraph.
But, perhaps more coherently, there’s one thing that’s definitely clear, and that is that the twentieth episode of KimiKiss and Kaiji utterly floored me. I’m not sure if it’s the actual merit of the show or just a logical short-circuiting caused by sheer fanboyism but either way the events that went down in each respective show contributed in massive part to moving the story forward, answering old questions and posing new ones, and that, combined with the sheer emotional rush of each show – one might say, equal and constrasting amounts of moe and gar – made them quite the stand-out pieces.
As such I really couldn’t find a way to combine a summary / analysis of both of them into one coherent post, especially in regards to a unifying topic, so I did the next best thing – create a little mini-series for the two ‘episode editorials’, “20/20 – Perfect Visions”. The 20/20 part is pretty straightforward, being the aforementioned episode number of each series. Perfect Visions sums up my thoughts on each episode, in that they were quite the wonder to see, as well as a pun; if you recall, 20/20 is what is considered ‘perfect vision’.
In all honesty 20/20 is actually just ‘perfectly normal vision’, but from that angle, perhaps you can consider that these episodes aren’t the be-all, end-all, if-you-saw-25-minutes-of-anime-this-year award winners, but rather just relatively fantastic pieces, with a few flaws characteristic to something with less than eagle-eye vision. Then again, being a glasses guy myself, and enjoying KimiKiss and Kaiji a lot, 20/20 isn’t anything to scoff at.
First up of two is KimiKiss, where the metaphoric friction between the main relationships is just beginning to heat up. The two male leads, Kazuki and Kouichi, are coming down to a choice…but will it be them making the decision? Or will the female fighters, or the male spoiler, Kai, have the final say? Paths continue to cross over as time waits for no one…it’s time to take action!
(Psst, 3000 words. I don’t know how I did it either.) Read the rest of this entry »
Feb 20th

Sometimes it seems that everyone’s favorite high school romance has more in common with American politics than the date of the week where important stuff happens (this being the usual time for the fansub release).
The fight is intensifying on both sides, in this case over the hearts of Kouichi and Kazuki, the male leads, with two vastly different situations shaping up as we come into the closing quarter of the show.
Kazuki represents the Republican party, a battlefield that looked to be intensely fought over in the beginning, but now is just one that’s quickly becoming sparsely populated. Technically there are still multiple candidates left in the field but it would have to take some serious deluding at this point to believe in any other than the one that’s in the lead – with one of the main contenders seemingly dropping out and endorsing a rival, it seems almost a done deal.
Kouichi and the Democratic party has the tougher choice, a straight-up dogfight between two evenly-matched characters that may be similar in viewpoints but worlds apart in appeal. The innocent schoolgirl romantic seems to be the more charismatic of the two as the childhood friend has made a few missteps on the campaign trail but arguably up until recently it was a relative dead heat. Now, however, the pendulum of momentum is really beginning to swing and there’s one that ends up squarely in the lead, barring an unexpected surge.
So, who’s going to take the win? Eriko or Asuka? Mao or Yuumi? Will Kai, the underground favorite, play a role in stealing away hearts? Can the third-party nominations of Hiiragi and Mitsuki do anything other than get laughed at again? All this and more spoilerific commentary after the jump.
(Note: I’m really bad at politics.)
Feb 7th


Mildly Engrish, yes, thanks for asking
A while back, I wrote an article about how true shoujo (girls’) romance shows, replete with shiny sparkly slow-motion pans of blond-haired pretty-boys, were lacking compared to the Marmalade Boys of years past. They seemed to be slowly fading out of favor; whether it was overcrowding due to more male-orientated “moe shows” (less of a genre and more of a giant classification) or simple dissapearance due to change of taste, I was unsure, but the fact was, they just don’t make romance stories truly aimed at just girls anymore.
With some coincidental genre-talk crossfire going on around other places, combined with my following of 2007 hit Nodame Cantabile, I began to think a bit again about the status of girls’ romance. Nodame Cantabile definitely had the feel of a show that could masquerade as being such a type of show, yet it also was decidedly different from the typical fare that occupies the genre. And what of KimiKiss? It’s a show that, despite being so much ’seen before’ material, defies classification by typical means, being neither guys’ harem nor girls’ romance.
These may be but two shows but to me they signify pretty clearly the direction that romance shows are heading. They may not be as popular as they used to be, passed up in favor of more pandering harem shows (not indicative of the harem genre as a whole, I must note) or the ever-strong action / mecha favorites, but what’s left in the romance corner is truly a distilled and refined version of what both guys and girls have come to love in love stories. Read the rest of this entry »
Jan 27th
KimiKiss is a simple, down-to-earth, yet very unpredictable romance, featuring two male leads, and a strong female lead as well, and their stories of high school love. Kouichi has admired Yuumi for all his life, and secretly, she has done the same, and so it looks like they will live an idealistic romance together. But is Mao, Kouichi’s childhood friend recently returned from France, planning to crash the party with some feelings for him as well, or is she charmed by the strong demeanor of Kai, a socially reserved saxophone player? And Kazuki, a soccer player, has been friends with Asuka for a long time – she has recently realized just how important he is to her, but will Kazuki show more interesting in the cold genius Eriko, who seems interested in Kazuki, if only to perform a romantic ‘experiment’? All these questions and more in one of the most understated, yet enrapturing romance anime of 2007.
1/28/08: Episode 16
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1/23/08: Episode 15
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1/20/08: Episode 14
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Click here for more information on Track Two.
-CCY
Jan 19th
And now for the Slowpoke news: we’re in the winter season.
I’m still stuck in the past, not because of any traumatic accidents which have permanently scarred me and/or my memory, but because the fall season is arguably a much more robust season than the winter ones, at least in terms of new shows.
Especially for a visual novel slash romance slash restricted rock-paper-scissors fan like me, there were a lot of shows that were very appealing; many of them, despite being in tried and tired genres, brought a lot of fresh concepts to the table.
And what’s interesting about this, is that unlike in the summer season, a lot of the most promising shows didn’t close out at twelve episodes. Those that did, were strong shows, no doubt, but many more than that have been promised at least 20-odd episodes, double the goodness if they can keep the pace up.
As such, the winter watchlist is turning out to be strangely familiar. There are plenty of carryover shows on the list, and those that are new shows to 2008 are mostly sequels in some way or form (Zoku SZS, Minami Okawari). Not to leave a bad impression of the winter season – but there aren’t any names of new shows that really stand out from it.
This doesn’t equate with ‘no good shows’, per se – some of my favorite fall shows have been ones that have been completely off the radar – but going off the blog reactions so far, there hasn’t been a standout show that absolutely blows people away, that came out of nowhere and delivered the awesome. Undoubtedly there probably will be, but for now I’m content with surviving off both fresh old shows, and some true classics that are burning a hole in my DVD collection. Today, I’ll take a look at what we have to expect from some of the shows coming into their second cour in 2008.
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