Mega Megane Moé
Hell and Heaven Moéltdown
Kaiji
Fanime’s Finest (2008) – A rave on Touhou, English visual novels, and zawa zawa
May 28th
It’s been two days since quite possibly the most hectic weekend of my life, and I think I’ve finally shaken off all the sleep deprivation and worn off that tasty mix of adrenaline and insanity, that anime conventions tend to impart upon an otherwise normal person.
As such it’s time to immortalize my first Fanime (do note that the phrase “my first time” has been beaten to death at the convention already) in literary form by going over some of the more entertaining events that made my weekend and my $55 worth it.
Additionally, in the next few days I plan to make a broader coverage of the convention as a whole with more general info and more griping, but until then I’ll stick with the starry-eyed wonder that makes all the seasoned, hardened anibloggers jealous.
It might be perhaps a bit self-indulging in a sense to brag about all the cool stuff that happened, but on the other hand, I hope I can inspire and encourage future entertaining events like this in the future.
OK, yeah, it’s just wankery. But it’s entertaining and hilarious wankery. Trust me. It’s apparently not just a coincidence I was wearing a Cirno shirt around. I make a lot of idiotically awesome stories.
A Month Late, A Couple Million Yen Short: Kaiji, reviewed
May 14th
So what happened?
I posted numerous times on the show, shoved it to the top of the viewing list over and over, gave it a nine – the highest ranking possible – on the ever-important Scale of Condensing A Complex Anime Into A Single Digit Number (aka MyAnimeList). And yet, it takes until a month later for it to finally push its way out of the review queue, where shows I don’t have much to talk about go to die.
It’s not like I was collecting my thoughts on the show.
It’s not like I was rewatching it.
It just simply passed out of mind for a very long time, and that’s something that worries me, because I really did think I enjoyed this show much more than the average show.
This is because, for the uninitiated, this is nowhere near your average show.
This is a show that goes beyond the forces of moe that some claim poison (or at least, run rampant in) today’s anime. There is no moe to speak of, hell, I could probably count on one hand – probably one finger – how many girls even appeared in the show total.
Rather, what Kaiji is, is a ruthless adrenaline rush, both physical and mental. A show all about a sometimes naive, sometimes genius, sometimes emotional delinquent (named Kaiji) who gets himself in all sorts of shady financial debt, and is forced into a series of increasingly implausible, incredible, and intriguing gambles in order to pay it off.
These gambles are great to watch because most of the time they are at least thrill rides which will leave you guessing as to the outcome – don’t take winning for granted in this show – with incredible moments of raw emotion along every twist and turn. On a good day, they are great introspectives as well, as Kaiji ponders the viciousness of human life while getting whipped in a human-vs-human battle of mind and body.
It’s very much a complete package, one that I think deserves a watch by anyone, just because you’re unlikely to see a show like this often amidst more common show archetypes. It drags a bit at times and the noses are awfully pointy, but Kaiji is an injection straight to the heart, which feeds blood to the brain and the masculine regions of the body.
(Manly spoilers ensue after the jump.)
20/20, Perfect Visions: Kaiji
Mar 3rd
Actually, looking back on the 20th episode of Kaiji about a week later, I’ve found that said ‘perfect vision’ seems to be blurring. But undoubtedly, explaining – or, rather, finding out – why will be just as interesting an experience, so here we go.
I think the best way to put it is that Kaiji, the show, has done a good job in putting us, the viewer, in the shoes of Kaiji, the character.
I say this simply because my thoughts regarding the show have mirrored Kaiji’s state of mind as well. When I first saw this episode, I was absolutely, out and out left breathless at Kaiji’s adrenaline-packed mix of fearlessness and insanity. Ten-odd straight posts of “HOLY MOTHER OF~” (paraphrased) over at the AnimeSuki forums seemed to conclude the same.
But now, I’m just wondering where they can go from here, and about the implications of such a shocking event, and how, really, it is sort of a change from what made Kaiji great in the beginning. What always endeared itself to me in the beginning was how it was a show that rode the edge of disbelief masterfully – it was patently ridiculous the way Kaiji got shoved to the wall and promptly came back with all the cutting-edge analytical power of a humanoid interface, but it was great because 1) we liked Kaiji, 2) we hated his enemies, and 3) the kind of mind-manipulation that happened in the early gambles was plausible, especially between two less-than-sound minds.
But episode 20… is it jumping that line of no return? That line between creeping realism and, as wildarmsheero bluntly puts it, shock value?
(Spoilers, spoilers, the magical fruit, the more you read them, the more you…)
In a world without omnipresent narrators…
Feb 12th
Where blogposts run wild in the internet, one man stands between a computer screen…and the wall behind him. And actually, he’s sitting. Coming soon – actually, right now – to a screen near you…
The Editorial. (This post is not yet commented)
Unfortunately that’s about as funny as the post is going to get, as we return back to our regularly scheduled Shiori worshipping search for a better memorable meme analysis, commentary, and yes, topic title, which, as you may have noticed, has a lot to do with that great voice from the sky.
Uh, the narrator.
Ironically enough most anime, and probably TV work in general, have as many varying beliefs in the existence of the narrator as the world does in the existence of the higher powers vaguely alluded to in the last paragraph. The majority of the shows take a largely individualistic approach, believing that The Narrator is inside each and every character, with the male lead interjecting useful mental comments into the conversation such as “Heloooooooo, <s>officer</s> meido.” (This is anime after all.) Very rarely, a show will be a nonbeliever, not implementing the narrator at all, giving a very third-person view to the scheme of things. And also quite uncommon is the canon implementation of the narrator, the enthusiastic and energetic voice that helps to explain the action, shouting statements like “The hero makes his move!” (Followed, of course, by the girl turning him down – don’tcha love context?)
A mix of the first and third variations are the ones I’ll be covering today in a case study, as I’ve recently been doing some musing about the storytelling of Kaiji during the ample downtime (action-wise, perhaps, although the mental conniving goes non-stop) of a show that is probably taking a few episodes to explain less than an hours’ worth of play.
The situation I pose is simple: the anime utilizes both lengthy inner monologues by titular character Kaiji and external explanations by the third-person narrator. Together, they probably compromise the bulk of the show, as Kaiji is very much a thinking man’s show, in-between all the falling off beams (among other physical punishment) .
But, what if we were to remove these segments? Read the rest of this entry »
Track Two: KimiKaiji, School Days LxH, and old-school fandom
Feb 8th
Day before yesterday I saw a Not Boat,
yesterday an sentimental fic,
and today, you…weird…music video…thing.
I keep trying to be a crazy anime fan. As a guy, I watch magical girl shows, as a realist, I watch ridiculous harems and visual novel adaptations, I fanboy over 2D things more than anything 3D, and I have an adoration of glasses-sporting characters that will put me in a straightjacket someday.
Yet somehow, I always seem to be one-upped by the manic minds across the sea, of what undoubtedly are self-labeled the “true otaku”, those who really have no shame nor sanity. Read the rest of this entry »