Day before yesterday I saw a Not Boat,
yesterday an sentimental fic,
and today, you…weird…music video…thing.

I keep trying to be a crazy anime fan. As a guy, I watch magical girl shows, as a realist, I watch ridiculous harems and visual novel adaptations, I fanboy over 2D things more than anything 3D, and I have an adoration of glasses-sporting characters that will put me in a straightjacket someday.

Yet somehow, I always seem to be one-upped by the manic minds across the sea, of what undoubtedly are self-labeled the “true otaku”, those who really have no shame nor sanity.

Perhaps this is the wrong type of person attribute to a mix-up like this, but on a scale of one to SHAFT in the what-in-the-hell department this Kaiji MAD (or whatever music-video-edit thing) probably clocks a nine thousand.

The Japanese really enjoy their weekly dose of zawa zawa, and for some reason this directly correlates to the show being placed in a bunch of strange situations and videos. And I’m not talking semi-plausible mash-ups like Haruhi and Lucky Star here. I mean, first there was Nanoha fanart in Kaiji style. Then they inserted Kaiji into Lucky Star. The Azumanga Daioh OP was redone with Kaiji animation.

But, seriously…KimiKiss? Maybe they’re poking fun at the uber-manly drama of Kaiji as well, but the whole “kiss kiss koishiteru yo” thing, combined with Kaiji art in KimiKiss style (plus some ASCII yaoi) truly makes this video one hell of a strange sensation. KimiKaiji Pure Zawa? Straaaaaaaaaaange. I call dibs on the Zawa Brigade, with Kaiji featuring as Haruhi, Mikuru, and Nagato, because God Knows Andou and Furuhata ain’t going to cut it. (well, Ishida could be Mikuru, I suppose. Hello, mental imagery.)

On a more sane note, in case you have been hiding your eyes trying to make the boats go away, let me pry them open with the reminder that School Days has two OVAs in the works, both of which seem to be decidedly lighter than the usual fare. Magical Kokoro-chan, a shameless magical-girl parody (I imagine; Kokoro sports a Beretta handgun-weapon-thingy in one clip), will be released later in March, but Valentine Days was bundled in with the School Days LxH game release for the PS2 (yes, sanitized School Days, isn’t it weird?), and having been subbed recently, I had the chance to check it out.

Straaaaaaaaaaange. Again. It’s really weird seeing School Days take on a light-hearted tone that I’d imagine you’d find in a comedy-harem like show, like the early parts of Shuffle!, or what I imagine Love Hina is like. It’s not exactly a self-contained piece; it seems to be a prologue to the anime (replete with purposely tacky ‘monologue while panning up’) and makes a lot of jabs at the show, such as the references to two of the bad ends, and Makoto’s deliciously ironic line “My fate is sealed! I’m going to be killed!”

It’s a great finisher to the show, many months later, similar to sola’s second OVA; it’s a light-hearted work that reminds you to have a little fun with the show after some intense drama. Yeah, I know there’s another OVA; but it looks to be a bit more fanservice orientated than this one. There were quite a few funny moments, both intentional and unintentional; the oh-so-subtle “oh yeah!” in the background as we slow-pan over Sekai’s scantily-clad mom is a moment of the latter that jumps to mind.

The only thing is that just like in the real anime, I find myself dissapointed in Setsuna. This time, she really did move over, but for Taisuke yaoi lovin’? I don’t know about that…

And for the third segment to this short post, I recently unearthed a years-old fanfiction of Cardcaptor Sakura that I enjoyed reading five or so years ago at the height of my low-level fandom. It’s over fifty chapters – quite an accomplishment – and I’ll provide a link here, although I have no guarantees as to quality, sanity, or pinkness of the page.

It was something that stirred quite a sentimental moment in me, knowing that such a piece was still hanging around the internet; it’s really funny how much things have changed in just a few years, and at this rate I’ll be senile and making snaps about how “back in my day we had to see sad girls in the snow, and we liked it!” by the time I’m twenty-one.

I’ve distanced myself quite a bit from my ‘old fandom’ self, the days of watching one or two shows and writing cheesy fanfiction, something that seems common in a lot of anime fans, and I wonder, whether it’s better to embrace this past after all. Certainly, there are a lot of good stories out there – it’s just scarily similar to the genre of harem in that there’s a few good ones and a lot of rubbish that will make you wince.

It’s almost like a parallel to the subs vs. dubs argument, in that I’m finding myself increasingly repelled from non-art fanwork (music videos, fanfics, etc) for surprisingly familiar reasons (”it doesn’t do the characters justice”, “it’s just not the same”, etc). Is the anime blog community in a sense just an extension of this fan community, except with essays instead of stories? I wonder…it’s important not to make too many “us vs. them” distinctions.

I’ll end this with a question: what of your anime fandom past? Is it something that you feel ashamed of? Should all the old fanfiction, all the fan pages and connections be swept under the rug? Or are they a mark of pride as well? At the age that a lot of anime fans are at there tends to be that long search for identity, even in a microcosm of life such as anime fandom. Should these moments of the past induce thoughts of “what was I thinking?”, like any more normal mistake of youth, or are they just something to build off?

-CCY

When in doubt, Kotomi. This picture is not yet related.

(I always worry that my introspections sound a little too depressing, but hopefully they aren’t. I have fun with them.)

(Incidentally, I’m thinking of changing the style of this blog a bit. The Track Two category will probably be spread out into more posts, instead of consolidating them into hidden-in-the-archive posts. This will result in more short, spur-of-the-moment posts like this, and less of the organized format. I think it’ll be simpler and entertaining.)

This may be a result of the fact that these novelty goods are, to be subtle, ridiculously expensive at times. Probably mostly because I’m a student on an overly cheap budget, first and foremost, but secondly because, well, I don’t see what you can do with a figurine outside of taking pictures of it, playing Smash Bros. with it, or making disturbing 4chan gifs with it.

Artbooks, though, have been a fondness of mine, if only because they tend to give some semblance of value to me – after all, you can browse them over and over, they have lots of pretty pictures, and if I ever actually manage to learn Japanese they might just be good reading material.

Additionally, I’ve recently become figuratively married to a little bookstore chain in southern California called Book Off, which offers a lot of new and used books (of which I can hardly tell the difference), ranging from standard English novels, to manga in both languages, to magazines, and – as you may have guessed – quite a few anime artbooks. Depending on the chain, you might even find some DVDs of both regions (spotted some Japanese Shuffle! LEs and AIR and Tsukihime boxsets), or import video games.And all at great prices too – my previous purchase of the Shuffle! On the Stage artbook was half the price I saw at Kinokuniya. Good stuff.

Unfortunately however I am not getting paid royalty fees for this post so I’ll move on to the two latest artbooks I added to my meager collection, and that would be that of Cardcaptor Sakura and Da Capo.

(Note this post actually has pictures, so those of you stuck under a 56K rock still, look out. And for those wondering about the camera work, well, let’s say my house was undergoing a small earthquake during the five minutes I was filming. Or maybe my camera hand was drunk. Maybe you need glasses. Or maybe it was a rush job and I was using a borrowed camera.)

Actually, both of these shows, being the monoliths they are, span multiple artbooks, but resources afforded only a small peek at the rabbit hole.

First up, the Cardcaptor Sakura artbook was a veritable steal at $4, half off of its normal price (although the other ones were normal price, mysteriously). The artbooks look to be split up into the show’s respective sections, with one covering the Clow Card arc and one covering the Sakura Card arc. There was an additional one for the second movie, The Sealed Card, and presumably one for the first one as well, which I didn’t spot.

The one I picked up was the Sakura Card artbook, which handily says on the back in English, “The Complete Book of TV Animation ‘Cardcaptor Sakura’ Part 2″, so I’ll take that as the title for it.

It’s a pretty comprehensive artbook as well, with an episode overview of each episode of the Sakura Card arc, from 47-70, in the “story digest” section taking up about half of the 120-page book. Each episode summary spans two pages, the front of one and the back of the other, featuring about 20 commented screencaps from the show with a long paragraph below it. It seems to be pretty in-depth, although, since I’m illiterate outside of spotting Sakura’s name, all I can really say is that the pictures are a great throwback and that chibi Sakura is incredibly adorable.

There are additional screencap segments for the third-season OP/ED, Platinum and Fruits Candy, with lyrics. Later on in the book there is an interesting segment which displays some of the storyboard planning behind the two sequences, as well.

What follows in the second section is the traditional black-and-white character sketches, featuring six pages of Sakura costumes (Tomoyo’s busy, y’know.), and a page devoted to all the other main characters (Tomoyo, Syaoran, Meilin, Eriol, etc), with the remaining few pages in this section devoted to background scenery and side characters, and the aforementioned storyboarding. It’s cute and heavily commented stuff but the black-and-white sketches have never really been a main draw for me.

Likewise with the cast interview segments, which are almost entirely if not completely illegible, although I did learn interesting things, like how just about bloody everyone in CCS is voiced by a girl. Yukito I figured, Kero I remembered (since her VA did Haruko from AIR), but I didn’t figure on Syaoran. Touya and Eriol are the only guys from the main cast.

Also, there was more liberal sprinkling of chibi characters here (although admittedly sourced from the orginal animation), which was always a plus. The interviews give two pages at least to all main characters, and half a page to a lot of ’side’ characters, right down to Nakuru / Ruby Moon and Fujitaka. Even the directors (I assume) get interviewed.

This about wraps up the content in the book, outside of the advertising for other CCS stuff, such as the Tetris spin-off which heads the ‘games I irrationally want’ list, and the 18 DVDs – or, if you’re feeling retro, videotapes (this is circa 2000, after all), at a cheap 6800 yen. No worries – the first volume is a wallet-sipping 5000 yen. Almost makes the remastered set look cheap.

Extras are sparse but there, as the book includes two postcards (which I can’t imagine that anyone would actually use) and a small poster (bigger than standard paper but smaller than a Megami pullout) featuring a shocked-looking Sakura against a black backdrop with Eriol and his minions in the background. Overall, CCS The Complete TV Animation Pt. 2 is still a steal at $4, and would still probably be worth it at it’s standard $8 – especially since it’s listed at 1500 yen on the back of the book.

My second purchase is what can only be described as the Da Capo Box, as that’s pretty much when I went on when buying it. It was shrink-wrapped, so it was pretty much a prayer purchase. It was formally called “D.C. Collaboration Stories”, and the fact that it was big, thick, and didn’t look to be H seemed to make it a good deal for $13. And while I may not be doing backflips like more striped Da Capo fans might upon such a steal, I still consider it a fairly reasonable purchase.

It’s a three-part set, which would explain why it comes in a box, for one. The first part, and the most important, naturally, is the flipping huge book. It’s 300 Spartaaaaaaaan pages long (that joke stopped being abused fast, as an aside). That’s a lot.

It opens promisingly – once I figured out that it read right to left – with a bunch of stunning fanart by what I can only assume are other famous artists. I say this because I recgonize the Shuffle style of Aoi Nishimata. There are 9 full-page (and note that a page here, as opposed to CCS’s A4 size, is roughly 8.5″ by 12″) illustrations, most of them worthy of being pulled out and pinned to the wall, if that’s your sort of thing.

What follows is a roughly 100-page collection of a bunch of manga stories drawn by different artists. Each is about 10-20 pages, and what I could glisten from the pictures they span:

- Magical costume dress-up Sakura
- Some flashback involving loli Sakura and Junichi, plus Miharu

- Nemu being typically clingy tsundere after Junichi runs around with some large meganekko in what can only be a giant misunderstanding
- Something involving Kotori, which should be enough for her fans

- Something involving Moe, which gives her more development than two seasons of anime despite me not being able to read Japanese
- Miharu x Junichi adventures
- Something involving Suginami, Mako, and a possible pairing of the two. Second only to Mayumi and Itsuki in ‘best comedy duo that needs romance’.
- Nemu reminscing about Junichi and their amusement park trips in the past and present
- NekoNemu. No one knows why.

Plus a few 4koma.

It’s a pretty lame collection because there’s no Yoriko vast range of manga by a bunch of people with different art styles, and since they give time to nearly everyone except Yoriko, fans of Da Capo who don’t mind Yoriko getting the shaft, especially those who can read Japanese, will enjoy this segment unless they have any pity for Yoriko.

(Well, she did get one 4koma.)

What follows after this is the game CG collection with 100% more Yoriko, which is always a fun read (and by read I mean look) for people like me who are wholly unfamiliar with the original source game. I lucked out in that this section is entirely non-ero; it barely misses work-safe due to containing the ‘pre ero-scene’ CGs where the heroines are in a state of vague undress.

Each character has their own section here averaging from 5 to 10 pages. Each section includes a large character portrait, a list of character sprites (interestingly, Kotori has more than double anyone else’s at nearly 70 poses, while most have 30-odd), and the game CGs at about quarter-page size. Of course, everything is annotated by a bunch of flavor text which I’m sure says…something.

It’s informative since you can glean a lot from the images (such as Yoriko’s ending, which apparently involves either her or Misaki coming to school as a real girl), and, failing that, you can roll on the floor and/or agonize over why there’s a CG of Suginami in a half-naked maid outfit.

After this, there’s about 20 pages of straight text, interrupted by scarce CGs; I’m assuming this is a sort of mini-story of its own; it’s titled “Another Story”, and each character gets their own section. I’m not sure if this is just copy-paste from the game(s), or original content, but either way, reading material right here.

Then there’s few short sections, one being a walkthrough for each of the characters, another being a corner for fanart (of the postcard kind), the third being the ‘buy stuff please’ segment, (Note they sell shirts for every character but Yoriko.) , and the final segment closes off the book with some sheet music for what I presume are the game OP and ED themes.

Additionally, there is a CD that comes in the Da Capo Box, but unfortunately I seem to have been ripped off as my box did not come with a copy of it. It looked to have some game (of, I imagine, token value) on it, along with what I’m guessing is a short visual novel and perhaps some bonus images or something.

The third item in the box is a vintage 2003 calendar, which I imagine was more useful back in the day. It features 7 images (2 months apiece, plus one image for the entire 2004 year) which cover all the main characters. I guess, since it’s old, it can be cannibalized for more art posters, since the art here is quite good except for Yoriko who of course has the only NWS shot in the calendar. Stupid cat maids..

In the end, essentially I did just buy a $13 book in a box, but it was a fairly ‘worth-it’ purchase, given the size of the book and the appeal of its contents, both in comprehensible and incomprehensible form. I’d recommend it to any D.C. fan, especially if you can actually get it with the CD. The back of the box says that D.C. Recollection Stories retails for 3200 yen.

These were the two purchases that I felt were worth covering – Book Off also has random $1 books like the 500-page Gran Turismo 2 guide I found, and I snagged a $5 copy of Megami 90, but the former is only tangentially related and the second is covered far too well by Kurogane, so there you go.

Also, I have no idea what these Kanon trading cards are, but they’re ten cents apiece, and, well, Kanon.

-CCY
(We apologize for the fault in the rampant Yoriko fanboying. Those responsible have been sacked.)

(We apologize again for the fault in the excessively bitter Yoriko fanboying. Those responsible for the sacking the people who have just been sacked, have been sacked.)

(The directors of the blog hired to continue the post after the other people had been sacked, wish it to be known that they also think highly of the characters of Kotori and the Mizukoshis. Also, they have been sacked. The post has been completed in a entirely different, raving fanboy style, at great expense and at the last minute.)

Although, somehow I feel that I am tarnishing the reputation of Cardcaptor Sakura just be alluding to it in the same sentence as a obscurely-ruled, spiky-haired, localization-mauled card game show.

Or at least, I cannot as fondly recall my two years spent watching Americanized Yu-Gi-Oh, which has a comparative lack of hanyaa~n.

Cardcaptor Sakura is one of those strange enigmas of a show, in that unlike Haruhi, Azumanga, Kanon, or any other show widely considered by many people to be ‘good’, it lacks the haters, the anti-crowd that troll on a show simply because it’s popular, or because it’s unrealistic, flat, 2D, overly moe, unfunny, or whatever.

Doubly strange when you consider that in the scheme of things, Cardcaptor Sakura is a ‘low-level’ show, in that many American anime fans can recgonize and go into obsessive mode over just like any hyperactive love interest worth their salt. As with most Clamp titles, it’s as good a brand name at times as any of the shonen shows like Naruto or Bleach, or maybe even other romance-style supernaturals like D.N.Angel. Pretty much, if you can find it in a public library, it’s probably a ‘low-level’ show.

Yet, disregarding the fact that many ‘low-level’ shows can be good (as if this would prove otherwise), Cardcaptor Sakura lacks that kind of internet scorn given upon ‘common’ shows. It’s not looked down upon in that haughty internet way, with nobody scoffing and going “why watch that when you could watch x?”

Cardcaptor Sakura truly is nearly a shining pillar of untouchableness, one show that is nearly universally acclaimed. It really is amazing.

Step aside, miss Suzumiya. This is the kind of reverence which at least I and some other people look with upon our goddess Sakura Kinomoto, and today I’m going to try to explore a bit into this years-old show and see just what makes it a classic.

To be honest, I haven’t watched an episode of Cardcaptor Sakura in about a year now, which is probably what is driving my sense of nostalgia for this show. It’s a similar yearning as one would have for a significant other of times past, except in my case I can just reach up on the shelf and grab a DVD.

(Incidentally, CCS going out of R1 print leaves me and my cheap region-free boxset in despair.)

It’s funny. Rewatches, when you’re a relatively new anime fan, seem almost silly when there remains to be so much new stuff out there, and even the other shows I idolize like Kanon I’ve only watched two times through.

Yet the Cardcaptor Sakura boxset lasted me in my earlier years for three or four watches – granted, there was no other anime at the time, but the fact that it never got old seems astounding nowadays, where shows go in and out the revolving door of obsession with startling speed.

The fact that a show arguably aimed at people half my age would be so captivating for so long, and for such a wide variety of anime fans, really is something.

Maybe I’m waxing poetic a bit too much, but Cardcaptor Sakura is a show that’s deeper than it lets on; it’s not just one for the preteens, but also for more distinguished romance fans as well.

It’s no mindgame thriller, and it’s not very unpredictable, but CCS stands out perhaps from other magical girl romances in that it doesn’t shy away from what some of us, at least on the American side, would consider ‘bad’ relationships.

It has the teacher/student relationship (two of them, arguably), the same-sex relationship (definitely two), almost a sort of arranged marriage (hey, when you get engaged to your cousin in the single-digit years?), and more. CCS is a very ‘pure love’ show in that it almost says that it’s not the circumstances that matter, it’s not the type of person that matters, the only thing important is that the two love each other.

The romance comes from all walks of life as well. There’s the improbable love (Terada-sensei), the unrequited love (Meilin), the passive love (Tomoyo), the fatherly, maybe childish love (Sakura for Yukito), the protective love (Touya), and so on.

While the main relationship perhaps is a little simple, in that ‘blushing up a storm’ fashion, there are so many other, perhaps more implicit, things to see as well. There are some great moments of raw emotion in the show, like Meilin’s recgonition of her defeat (episode 60), or Sakura getting shot down and Syaoran comforting her in the park (episode 65).

It’s just such a heartwarming show as well. Like most pure magical girl shows (Nanatsuiro Drops was an good recent example), CCS has that power just to give you a ridiculous smile on your face, just because of the way that things turn out.

The interactions between the characters range from amusing to aww-inducing (pretty much anything with the parent Kinomotos is a lock), the whole motto of ‘everything’s going to be all right’ is so bright and radiant that combined with Sakura’s (and, to an extent, a lot of the rest of the cast’s) upbeat attitude that it’s the kind of show that will rot your teeth and melt your heart, and you won’t care.

The main storyline isn’t horribly shocking, being, yes, a magical girl show of the classic ‘monster (card) of the week’ fashion, but there are some nice twists and moments in there. The Yue fight was brilliantly executed, if only because it did that science-fiction ‘alternate universe’ timeline where Sakura was defeated. The Sakura Card arc was strong, with Eriol’s excellent shiny-glasses manipulation powers of Sakura and Syaoran, and the focus on converting the cards, which, more than anything, was a facade for the emotional development of Sakura into a strong-willed character.

If there’s one big complaint I have about the story, ignoring any highly probable irregularities like Syaoran speaking perfect Japanese, it’s that it’s very typical romance in that the confession is saved until the very end.

The very end.

Like, last line of the series ever end, on Sakura’s part.

It’s not completely bad; the buildup to it really does wonders for transforming a simple line into something that makes you thrust your hands in the air like a football fan, but sometimes one wishes that shows like these could deal with the time after the confession as well; the relationship between a new couple is something that’s just as entertaining to watch.

(Again, Nanatsuiro Drops for proof. Advertising has no shame.)

Most of the rest of the relationships get ‘conclusion’ in building up towards the main relationship of Syaoran and Sakura; it was one of the things nicely done in the manga, how pretty much the last chapter or two showed all the couples (Chiharu/Yamazaki, Rika/Terada, Eriol/Kaho, and…well…Tomoyo.) happily together, urging Sakura on with her own relationship struggle. Again, a great buildup, only to end in ‘OK, we like each other, all’s good with the world.’

Speaking on the manga as a whole, my memory of it is even fuzzier, but I hold the belief that the anime is better on three bases: 1) more of Sakura to love (70 episodes > 12 volumes), 2) I’ve always enjoyed animation more than stills (since I tend to power through manga too fast), and 3) Meilin. As annoying of a character she can be at times, she has some real moments and really grows on you like any other osananajimi fated to lose. Although she has some questionable entrance/exits (the trouble of inserting an extra character), what’s in-between is worth it.

Perhaps one of the more interesting theories for the success of Cardcaptor Sakura comes from it having a natural enemy in the form of its highly-ostracized English dub, Cardcaptors. Since Cardcaptors the dub is unquestionably Bad, the Japanese version is incredibly Good in comparison. This is not to call into question the actual quality of CCS, but rather to say that perhaps its image has been enhanced even more.

Cardcaptor Sakura overall is an anime that I feel is more than what it seems on the surface. The characters do have more to them (i.e. while Tomoyo can be classified as The Stalker Friend, she has some much more appealing and arguably deep characteristics to her) than it originally seems, the romance is more than a straight one-relationship fight, and the emotional maturing of the characters really is something to be seen.

I don’t think there are very many people out there, at least considering the audience, who have not seen Cardcaptor Sakura or at least heard of it, and there are probably even less that would condemn it, but Cardcaptor Sakura is really a show that seems like the entry gate to anime fandom; if you haven’t seen it, you’re missing out on the magic.

And that’s not just trying to make a pun.
-CCY

Sakura: Yukito-san, hey, Yukito-san!
Sakura: Are there any Clow Cards left?
Yukito: You captured them all already, didn’t you?
Sakura: Hanyaa~n