Mega Megane Moé
Hell and Heaven Moéltdown
Hell and Heaven Moéltdown

So I understand Code Geass ended recently. Code Geass being what it is – a mysterious force that I haven’t experienced that supposedly mixes trainwrecks, pizza, and ingredient X and comes out with massive popularity – concluded on a rather open-ended note, leaving discussion of the final outcome and its meaning to the hordes of fans out there, who run the gamut of shocked, excited, saddened, and angered. All of them, however, are talking. A lot.
What we haven’t heard as much from, though, is the fact that other, less pizza-induced shows still exist, and still ended around the same time frame.
Perhaps Nogizaka Haruka no Himitsu (Haruka Nogizaka’s Secret) doesn’t have the benefit of being wildly popular or in-depth, and perhaps the ending did not leave us wondering whether Yuuto bit the dust or not, but still I can find there’s a lot for an anime fan to emote about, for I’ve gone through the aforementioned emotion spectrum with regard to Haruka’s Secret.
For those who dismissed Haruka’s Secret as a generic guys’ moe-moe-romance show, you’re … pretty much right. But there’s one part in where you are wrong – Haruka’s Secret is a heart-stealing guys’ moe-moe-romance show.
It’s torn through the community and left more than its share of anibloggers dazed, confused, and lovestruck, something that this crude genre often fails to achieve. It’s tough to describe the almost base level on which Haruka seems the same, yet so much different, as any other show, almost like it is to accurately identify the reason for one’s deep affection for any person, 2D or 3D.
At least, that’s what I really want to think about Haruka’s Secret. It’s cute, sweet, great for cuddling with at night, will never put a step wrong, and just has that little bit more … until that one fateful day where all of a sudden my rating of it plunged 700 points in 25 minutes.
Now what to believe?
(I reveal Haruka’s Secret within. Beware of spoilers.)

As you may have noticed, over the last few days I’ve been slowly drawn into the dark, mind-rending world of Higurashi. As such, it seems rather fitting that I open with the messy, stomach-churning conclusion of this show, as described above, before snapping back towards a more linear descent into hell.
Therefore, I will start with the better points – and what good points they are! – of Haruka’s Secret … but do note that it will end with me bashing my head against a knife while the anime laughs maniacally in the background.
Equally fitting, Haruka Nogizaka and the anime as a whole are hiding a secret – albeit not deep and dark – that makes them not quite what they seem. Haruka Nogizaka is, deep down, an anime otaku and moe powerhouse extrodinare, and Haruka Nogizaka’s Secret is actually quite the well-balanced lighthearted romance.

What perhaps endears Haruka’s Secret the most to my heart is that it’s got all the warm, fuzzy, and fluffy cotton-candy appeal of a simple romance story, with minimal guilt from pandering. Unlike most guys’ romance anime, Haruka’s Secret seems to give a nod either to women or to the second-lowest-denominator in, for the most part, not resorting to hacked, cheesy cliches, nor fanservice abuse.
This is evident most in our protagonist Yuuto, who seems to have learned a bit from his harem-style brethren of the past. True, he comes from the same roots, being a plain looking glasses guy who happens to stumble upon two and a half women…but somehow, his sanity and his conscience seems better placed. Maybe that’s why the collective female otakusphere (and by that I mean a sample population of two bloggers) seems so approving of him.
Especially when dealing with matters involving his beloved, Yuuto is remarkably strong and sound of mind, standing up for himself, and, admittedly, striving a bit too hard to be the knight in shining armor. But isn’t that preferably to the standard sack of flesh, too often driven by hormones or lost by indecision?

Accolades extend down to the rest of the cast too, in various degrees. Haruka, the female lead and moe girl extrodinaire, falls a bit on the pandering side, being essentially a Konata / Kotomi / Sayuri crossbreed, but somehow, it feels like it works here. Maybe because she doesn’t go out of her way to praise Otaku Reference Here, or because she has a few moments where she stands on her own as well – or maybe it’s just because her situation as an isolated idol feels natural, as she learns to take her own steps.
Haruka’s little sister Mika fills the token loli mode, replete with the dirtiest mind in the show, but it’s not too bad. She does have a redeeming episode which fills out her character a bit, so she’s not too dislikable. The dual maids of Hazuki and Nanami are mostly on the lighthearted side, but I can at least say that they’re lock candidates for SaiMoe next year (and for megane power rankings rev. II if I ever get to that). Yuuto’s annoying relatives are … annoying, and a bit amusing … but they know not to appear for more than 30 seconds an episode.
Shiina, however, is where the utopia starts falling apart.

It’s tough to say whether Haruka’s Secret had too much ambition or too little time, but the overloaded aspect of its story nature is pretty apparent through how the endgame played out … namely, with the near-entire lack of the third wheel in the love triangle.
After a few moments which hinted at her defeat in episode 10 – although never mentioned explicitly – Shiina, who enjoyed a pretty lofty status in the show, pretty much dissappears. Now, this is naturally preferred to creating false drama by having Shiina cling to Yuuto – in fact, she does almost the opposite, letting go of her own accord – and, if we were going to just focus on Haruka and Yuuto’s relationship in the last few episodes, it would be a great move.
However, this is all thrown out the window for a sharp flight away from reality and into bizarro world, where one-shot gaijin Romeos suddenly become credible competition for Haruka’s heart … without even laying a hand on her.

It’s clear to see that Haruka’s Secret shouldn’t be judged in any frame that is considered realistic; there’s a patent insanity to the show with all the chainsaw-wielding maids and yakuza mothers and all, but for most of the show there was at least a link to reality, the sense that an ordinary, confident boy and a shy, upper-class girl could fall for each other … that was almost Hollywood-like in nature.
But then we package the show up and ship it off to Haruka’s private island, with people lining up to give Haruka 500-carat diamond dresses and garages of Ferraris and more land than probably half the states in the U.S., and then where is our “realism” as defined? In what world does ignoring the main romantic contenderm to make way for a weaker one of the opposite gender, make for a more compelling finish?
Perhaps a sign of the unavoidable shonen roots of Haruka’s Secret is that it takes on more than it can handle, flipping from one storyline to another in a method that hardly resolves any of them, not even the one most vital to the show.

We start with the aforementioned shameful otaku secret of Haruka Nogizaka, whose concern about being discovered leads her to befriend Yuuto. After the first episode, it was possible this anime could evolve into a lighthearted Welcome to the NHK spin on otaku life, but after a few episodes, the otaku element is reduced to just something that makes Haruka happy without any repercussion.
Fine, maybe she accepted her otaku roots and maybe the entire school did, too. We still have the sweet story of the her and Yuuto falling in love. Only in this case, it’s like an old 2D platformer or something because they fall and fall and never hit the bottom of the pit.
There’s a finite level of enjoyment – albeit a very large finite level – one can derive from watching two people stumble over words and over each other at the slightest implication of a relationship. Yes, for the most part, down to the last minute, I was standing on my chair abusing JP’s quote of “F*** YES (SLIGHTLY ROMANTIC ACTION HERE)”.

When I lost faith in the last arc and its unnaturalness, I was still reaching out for one last shot at redemption. Maybe Yuuto, instead of falling to the cliche of getting hopelessly demoralized by a trash talker (to only gain faith through an otherwise irrelevant side character), would suddenly show his knightly side. Maybe Haruka would break through and declare that all the solid-gold Ferraris in the world were worthless compared to her Dojikko Aki-chan doll or Yuuto himself. Maybe it would all just come together, in one wonderful moment, that kiss hinted at in the OP, a confession, anything, something.
This was the kind of desperation you would feel if you were a pointy-nosed character in a Madhouse show, hoping for a miraculous draw to avoid losing your life.
And sure enough, it wouldn’t come.

One word, one action, nothing, as we get shot down by the combination of a fish-block and a Typical Shonen Romance Moment where all the eavesdroppers stumble in and ruin the moment. It’s nearly unforgivable.
I say nearly because there is, admittedly, another way to read this show. Sure, there was nothing ever shown or ever said between Haruka and Yuuto, but in reality, what sort of relationship is judged only by the explicit actions? Sometimes, it’s easier to fall in love without the official constraints of a relationship, and certainly Haruka and Yuuto were doing things as a couple already … any words at the end would just be the icing on the cake.
But for a more simple-minded viewer like me, who is sitting on the edge of his seat waiting for the final results to become official, who saw a kiss obscured in the OP for ELEVEN episodes, there’s just something … missing … like the animators wanted to leave content open for a second season. Certainly, if merchandise has been anything, Haruka’s Secret has been popular enough to have such an option.
I just get that feeling though, that Haruka’s Secret could have done better, not as a longer anime, nor as something extended to two seasons, but something that had focused better on a single point, on providing a fully encapsulated experience, something that is hard for an adaptation to do, especially one with potential for cash-cow abuse, or for one with a lot of content, which seven light novels might attest to.

Is Haruka’s Secret still a good show? For the most part, yes. It is above average, the first nine-odd episodes for sure. Either way it’s still good cotton candy, but you get the feeling it could have been more than that.
It had the characters, the songs, the potential to bring something memorable out of a weary genre.
I don’t understand!
It could’ve had class!
It could’ve been a contender.
It could have been somebody, instead of just another fluffy, sweet yet forgettable shonen romance…
…which is what it is, let’s face it.
-CCY
October 1, 2008 - 11:08 am
I was really into the show when it was still atypically low-key for a shounen romance — during the first, I don’t know, six or seven episodes — and then Haruka’s parents came into play, and I found that Haruka’s katana-toting dad ruined the romantic mood for me. I think I would have liked it more if it hadn’t promised the amount of sanity inherent in the beginning, only to end the way you described. The closest thing to Nogizaka Haruka I can think of off the top of my head is probably Karin, which I enjoyed more, and that might be because Karin lets you know what you’re getting into from the beginning.
I did like Haruka as a character, though. I guess she panders in that she’s blatant MAI WAIFU material, but at least her life isn’t perfect; her otaku-dom isn’t just some random, consequence-free eccentricity, it’s a dark secret.
October 1, 2008 - 5:01 pm
While they didn’t show the stuff, which I think sucked, it’s pretty obvious that they’re a couple now. For example, when Haruka first stumbled on Yuuto, the lights were on. Then, we suddenly cut to the lights being off and Yuuto over Haruka. That suggests that there was probably some light making out or some sort of agreement that they were going to do some “experimenting,” and someone got up to turn off the light before they went back to it. In addition, while the rainbow eel/snake/whatever blocked them for a bit, it was long enough that I’m pretty positive a kiss happened. By all indications, there would have been, at the least, some serious heavy petting going on if the Eavesdroppers hadn’t stumbled in.
So, I mean, I agree that it’s a bit annoying that they fell back on Harem anime cliches in the last few eps, and I really hated that we were teased with an Obscured OP kiss, and then got another Obscured kiss in the finale. But at the same time, it’s pretty obvious they are a couple and consider themselves as such for sure. But if the family hadn’t barged in, well, the series would have probably crossed the line into full blown Hentai pretty quickly!
October 4, 2008 - 12:14 pm
@Pontifus: Yeah, I pretty much agree with you, on how the beginning, more ‘normal-ish’ part of the show was the better half. Are you saying though, that you would have liked it if it was insane from square 1, and stayed that way, as well? It’d be more consistent that way, but somehow it doesn’t feel like it would be as gratifying to watch that way.
I don’t know if I mentioned that about Haruka, but yeah, Haruka is one of those strange characters I really should hate (considering she’s just a step away from Konata), but I ended up liking her a lot. Managed to hit all the right pandering buttons while avoiding the wrong ones, and all.
I’ve heard quite a bit about Karin from other intellectual-ish sources as well, so I’ll have to try that. XD
@Jobrill: Yeah, I mentioned that a bit in one of the ending paragraphs, that it did seem that Haruka and Yuuto were essentially a couple anyway; it just felt like it’d be more complete to officially qualify it as such. They’re still cute together either way, but, well … I’m a simple viewer.
And to be honest, I was kind of weirded out that they seemed to skip the middle stage and go straight to “hey we’re lying here on top of each other, why not”, since it seemed out of character for both of them, so maybe it was better to have nothing happen in the final scene.